Dieses Album ist sicher nicht das erste seiner Karriere, wir möchten euch an Alben wie
The Complete Poetical Works Of Percy Bysshe Shelley Volume 1 erinnern.
Die 186 Lieder, dass das Album bestehen, sind die folgenden:
Hier ist eine kleine Liederliste, die sich Percy Bysshe Shelley singen entscheiden könnte, einschließlich des Albums, aus dem jedes Lied kommt:
- On Death
- To Harriet
- Fragments Written For Hellas
- To The Moon
- Fragment: ‘A Gentle Story Of Two Lovers Young'
- Orpheus
- Remembrance
- Lines Written On Hearing The News Of The Death Of Napoleon
- A Fragment: To Music
- Fragment: ‘My Head Is Wild With Weeping'
- Fragment: The Deserts Of Dim Sleep
- Lines: ‘We Meet Not As We Parted'
- Fragment: Love The Universe To-Day
- Marianne's Dream
- Fragment Of A Satire On Satire
- The Aziola
- Buona Notte
- Fragment: Rain
- Fragment: To One Singing
- Sonnet (Lift not the painted veil...)
- Stanza, Written At Bracknell
- Time Long Past
- The Question
- From The Arabic: An Imitation
- A Hate-Song
- To William Shelley II
- Love's Philosophy
- Fragment: Home
- Ode To Naples (Antistrophe 2a)
- Passage Of The Apennines
- Fragment: ‘Alas! This Is Not What I Thought Life Was'
- Ode To Naples (Strophe 2)
- Fragment: ‘O Thou Immortal Deity'
- Ode To Naples (Antistrophe 2b)
- Ode To Liberty
- ‘O That A Chariot Of Cloud Were Mine'
- To —.' Yet Look On Me.'
- Fragment: ‘I Would Not Be A King'
- Stanzas Written In Dejection, Near Naples
- Marenghi
- Fragment: “Igniculus Desiderii'
- Ode To Naples (Epode 1a)
- Hymn To Intellectual Beauty
- Fragment: Pater Omnipotens
- To Mary Shelley II
- To William Shelley III
- Fragment: Death In Life
- Fragment: Life Rounded With Sleep
- The World's Wanderers
- Fragment: Apostrophe To Silence
- Fragment: To A Friend Released From Prison
- An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
- Love, Hope, Desire, And Fear
- To William Shelley
- Fragment: ‘I Faint, I Perish With My Love!'
- Lines Written Among The Euganean Hills
- Fragment: Wedded Souls
- Stanzas 1 And 2
- Lines: ‘That Time is Dead For Ever'
- Ode To Naples (Antistrophe 1a)
- On Fanny Godwin
- A Summer Evening Churchyard
- Fragment: ‘Follow To The Deep Wood's Weeds'
- Lines: ‘When The Lamp Is Shattered'
- Time
- Fragment: Thoughts Come And Go In Solitude
- Fragment: A Serpent-Face
- Fragment: Beauty's Halo
- The Indian Serenade
- Ode To Naples (Epode 2a)
- An Allegory
- To Emilia Viviani
- Lines To A Critic
- The Birth Of Pleasure
- The Magnetic Lady To Her Patient
- From The Original Draft Of The Poem To William Shelley
- Lines Written During The Castlereagh Administration
- To Mary Wollstonecraft Godwin
- Good-Night
- Fragment: May The Limner
- Arethusa
- An Exhortation
- Ode To Naples (Strophe 1)
- Scene From ‘Tasso'
- Fragment: Sufficient Unto The Day
- Fragment: The Vine-Shroud
- The Two Spirits: An Allegory
- Lines: ‘The Cold Earth Slept Below'
- Fragments Supposed To Be Parts Of Otho
- Death
- To Jane: The Invitation
- Summer And Winter
- Music
- To Mary —
- ‘Mighty Eagle'
- Fragment: The Lake's Margin
- Mutability
- The Pine Forest Of The Cascine Near Pisa
- To Edward Williams
- Dirge For The Year
- Fragment: ‘The Death Knell Is Ringing'
- Fragment: ‘Great Spirit'
- Fragment: “Amor Aeternus'
- The Past
- Cancelled Passage
- Fragment: ‘The Rude Wind Is Singing'
- The Sensitive Plant Part III
- The Tower Of Famine
- Autumn: A Dirge
- Song
- The Boat On The Serchio
- Fragment: A Wanderer
- To Jane: The Recollection
- Song To The Men Of England
- Cancelled Stanza
- Invocation To Misery
- Variation Of The Song Of The Moon
- Ode To Naples (Epode 1b)
- The Sensitive Plant Part II
- Song For ‘Tasso'
- Ode to the West Wind
- To The Nile
- Ode To Naples (Antistrophe 1b)
- Liberty
- Fragment: ‘Methought I Was A Billow In The Crowd'
- Fragment: ‘I Stood Upon A Heaven-Cleaving Turret'
- Fragment: To The People Of England
- Fragment: To The Moon
- Fragment: ‘Unrisen Splendour Of The Brightest Sun'
- Fragment: The Lady Of The South
- Lines Written In The Bay Of Lerici
- On The Medusa Of Leonardo Da Vinci In The Florentine Gallery
- The Waning Moon
- The Fugitives
- To Mary Shelley
- Mutability II (The flower that smiles today...)
- To Sophia
- Epitaph
- To A Skylark
- To Constantia
- Ozymandias
- Fragment: Satan Broken Loose
- Epithalamium
- Fragment: ‘And That I Walk Thus Proudly Crowned'
- Fragment: ‘When Soft Winds And Sunny Skies'
- Fiordispina
- Fragment: Music And Sweet Poetry
- Sonnet: Political Greatness
- Otho
- Fragment: Milton's Spirit
- Fragment: To The Mind Of Man
- A Lament
- Evening: Ponte Al Mare, Pisa
- Stanzas.—April, 1814
- Fragment: Zephyrus The Awakener
- Fragment: Love's Tender Atmosphere
- Song Of Proserpine While Gathering Flowers On The Plain Of Enna
- Fragment: ‘Ye Gentle Visitations Of Calm Thought'
- Ginevra
- Fragment On Keats
- To Constantia, Singing
- To —. ‘Oh! There are Spirits of The Air'
- National Anthem
- Fragment: ‘The Viewless And Invisible Consequence'
- To Jane: ‘The Keen Stars Were Twinkling'
- Fragment: To Byron
- Sonnet To Byron
- Hymn Of Apollo
- With A Guitar, To Jane
- The Cloud
- The Zucca
- Another Fragment: To Music
- Similes For Two Political Characters Of 1819
- A Vision Of The Sea
- The Woodman And The Nightingale
- The Sensitive Plant Part I
- Ode To Naples (Epode 2b)
- Lines To A Reviewer
- The Sunset
- To-Morrow
- Fragment: ‘Such Hope, As Is The Sick Despair Of Good'
- Hymn Of Pan
- The Isle
- Fragment: The False Laurel And The True
- To The Lord Chancellor
- On A Faded Violet